English Department Chair, Professor of Literature
Gayle Rogers is professor and chair of English and affiliated faculty with the Global Studies Center, Center for Latin American Studies, European Studies Center, and Cultural Studies program. He works primarily on the history of ideas, global modernisms, translation theory, comparative literature, critical history, and the intersections of literature, economics, and risk theory.
His recent and forthcoming work includes:
Speculation: A Cultural History from Aristotle to AI (Columbia University Press, 2021).
The New Modernist Studies Reader: An Anthology of Essential Criticism, ed. with Sean Latham (Bloomsbury Academic, 2021).
“Risk: A Dossier”, ed. and intro., special issue of Critical Quarterly.
“Translation and/as Disconnection,” co-ed. and intro. with Joshua L. Miller, Modernism/modernity Print Plus.
His previous work includes Incomparable Empires: Modernism and the Translation of American and Spanish Literatures (Columbia UP, 2016), which takes the Spanish-American War of 1898 as a point of departure for analyzing the rise of Spanish literary studies in the US and American studies in Spain in the early twentieth century. With Sean Latham, he has published the book Modernism: Evolution of an Idea (Bloomsbury Academic, 2015), which traces the history of the concept of modernism from the late nineteenth century through contemporary scholarly debates. This book launched the New Modernisms series, which Latham and Rogers co-edit. Rogers’s first book, Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History (Oxford UP, 2012) analyzes the cooperative efforts to renovate the post-Great War idea of “Europe” by allying its rebirth with the imagined reemergence of a European Spain.
He serves on the editorial board of Modernism/modernity and, in the past, served on the board of the Modernist Studies Association. He was a member of the organizing committee for MSA’s 2014 conference in Pittsburgh. He has been a member of the MLA First Book Prize committee and chaired the MSA Book Prize committee. He most recently chaired the MLA's division on prose fiction. He is associate editor Critical Quarterly, and with Jonathan Arac, was co-organizer of the 2016 Society for Novel Studies conference. He is a founding member of the international consortium El ensayo literario. At Pitt, he has served on the Provost's Advisory Committee on Undergraduate Programs and the Dietrich School Graduate Council, and has been co-director of the Literature Program and associate chair of English, among many service roles. His teaching focuses on modernism, world literary history, the politics of translation and aesthetic theory, cosmopolitanism and history, and the novel.
His work has been funded by the NEH, the Hewlett Foundation, and Spanish Ministry of Education, Culture, and Sports, among others.
Research and Publications
Selected other publications are listed below:
Oliverio Girondo's 'Superwords,' Public Books
“Death by Prefix? The Paradoxical Life of Modernist Studies,” LA Review of Books
"Translation,” in A New Vocabulary for Global Modernism, ed. Eric Hayot and Rebecca L. Walkowitz (Columbia UP, 2016), 248–62.
“American Modernisms in the World,” in The Cambridge Companion to the American Modernist Novel, ed. Joshua Miller (Cambridge: Cambridge UP, 2015), 227–44.
“‘Spanish is a language Tu’: Hemingway’s Cubist Spanglish,” NOVEL: A Forum on Fiction 48:2 (August 2015): 224–42.
“Jiménez, Modernism/o, and the Languages of Comparative Modernist Studies,” Comparative Literature 66:1 (Winter 2014): 127–47.
“Restaging the Disaster: Dos Passos and National Literatures after the Spanish-American War,” Journal of Modern Literature 36:2 (Winter 2013): 61–79.
“1616, Bilingual Modernism, and Anglo-Spanish Literary History,” Journal of Modern Periodical Studies 4:1 (2013): 100–110.
“El cosmopolitismo de Ortega: Kant, nacionalismo y el intelectual contemporáneo estadounidense,” trans. Sebastián Urli, Revista de Estudios Orteguianos 26 (2013): 79–99.
“Joyce and the Spanish Ulysses,” Modernism/modernity 19:2 (April 2012): 255–75.
“The Circulation of Interwar Anglophone and Hispanic Modernisms,” in The Oxford Handbook of Global Modernisms, ed. Mark Wollaeger (New York: Oxford UP, 2012), 461–77.
Interview and profile of Ben Lerner, Contemporary Literature 54:2 (Summer 2013): 219–38.
“Is the Spanish Language White?”, Pittsburgh Post-Gazette, July 14, 2013: B1, 8.
“James Joyce in His Labyrinth” (translation, preface, and annotations to Antonio Marichalar, “James Joyce en su laberinto” ), Publications of the Modern Language Association (PMLA) 124:3 (May 2009): 926–38.
Review of F. B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature, by William J. Maxwell, Los Angeles Review of Books (January 2015): lareviewofbooks.org/review/g-men-literary-critics